نوع مقاله : مقالۀ پژوهشی
موضوعات
عنوان مقاله English
نویسنده English
Khaghani is one of the greatest composers of Persian poetry who has been described as a perplexing poet to his vast knowledge and using it in poetry, unprecedented illustrations and strange combinations. Three writers of our time, namely Ali Abdul Rasuli, Zia-od-Din Sajjadi and Mir-Jalaloddin Kazzazi, have worked hard to correct his divan. Sajjadi's correction has received more attention in academic circles due to the presentation of verse versions, but two other corrections have also retained their value and have helped researchers. Despite the valuable efforts of these professors and other scholars who have corrected verses from Khaghani, there are still verses in the corners of Khaghani's divan that do not satisfy the reader with his current form and Khaghani does not seem to have composed them in this way. In this article, five of these verses in Khaghani's poems have been examined and an attempt has been made to provide suggestions for correcting them after explaining their inaccuracy or inadequacy in the current form. From these verses, one verse has been corrected by analogy and four verses have been corrected using the edition of Abd al-Rasuli, as well as the duplicates recorded in Sajjadi's correction.
کلیدواژهها English
عدم تعارض منافع
نویسندگانی که نامهایشان ذکر شده است تأیید میکنند که هیچ وابستگی یا مشارکتی با هیچ سازمان یا نهادی که منافع مالی (مانند حقالزحمه؛ کمکهای آموزشی؛ شرکت در سخنرانیها؛ عضویت، استخدام، مشاوره، مالکیت سهام یا سایر منافع مالی؛ و شهادت کارشناسی یا ترتیبات مجوز اختراعات) یا منافع غیرمالی (مانند روابط شخصی یا حرفهای، وابستگیها، دانش یا باورها) در موضوع یا مواد مورد بحث در این دستنوشته ندارند.
Conflict of Interest
The named authors confirm that they have no affiliations or involvement with any organization or entity with financial interests (such as fees; educational grants; participation in lectures; membership, employment, consulting, stock ownership, or other financial interests; expert testimony or patent licensing arrangements) or non-financial interests (such as personal or professional relationships, affiliations, knowledge, or beliefs) in the subject matter or materials discussed in this manuscript.
