The text has an obvious identity; but context potentially refers to a set of perceptions and beliefs that originate from imagining the future, scientific hypotheses, religious beliefs, general and cultural beliefs, and the reader's perception of the author's mentality. By combining text and context, various "discourses" and interpretations are formed, all of which end up with the reader's freedom of action in giving meaning to the text and the death of the author, and thus the value of the literary work compared to the cultural, literary and social capital of a language is evaluated The same thing that happens in rectification Hafez Shiraz narrated by Ahmad Shamlou and Diwan Hafez with correction and narration and new reading, based on speculations (reading strategy), reading unwritten texts (white reading) and removing or selecting prominent elements (omission and highlighting) and identity and form Different accepts that it originates from the inclusive worldview and within the framework of the text's signs, and it follows different "horizons of expectations" both for and against. The present research, using the method of qualitative analysis and using library studies, in order to express this issue, comes to the conclusion that the striking compatibility of Shamlu's work with the components of the "Reader-centered" approach and his success in provoking the audience's reaction is due to the high frequency of the component "omission and highlighting" and "waiting horizon" are discussed in the work.